Hello Good people who sometimes read this blog....
It was lovely on Thursday to play briefly at Survivor's Poetry (at The Poetry Place, Betterton Street, London).
I am still battling with stage nerves after a long absence from live performing. I never get rid of my stage nerves but I can deal with them better if I perform regularly. Luckily I have a couple of gigs coming up at Tottenham Chances on the 28th of January (Survivor's Poetry) and also a private gig at Limehouse Town Hall in early Feb. which will be a new electronic set. I seem to be playing at the most anarchic, community based venues in London, and since these places are rarities I consider myself very lucky.
OK enough of being an artist, now however uncomfortable it makes me feel ,here is the capitalist "hard sell" I have written a review of my own album because I need to sell it! So I can make the next one and also continue with my studies. But before I do that I want to do a little rant about PPL and how they distribute royalties. I am shooting myself in the foot in terms of the music industry by doing this and I am a bone fide member of PPL who may not appreciate my revealing their dirty little secrets online. But I cannot help but be myself these days as I mentioned before, something about the Paris attacks and Lemmy's death conspired to make me more rebellious and forthright than ever and to be myself regardless of consequences.
to put you in the mood I will put here a little Indian Restaurant music you could play in the background as you read this, for my bit of classical Indian-influenced music listen to "Ode to Miss Iron Pants" on "The Psychacoustic Tapes" album.
Here is a little rant about PPL and how they distribute royalties in the curious case of Indian Restaurant music.
I attended a PPL (Phonographic Performance Limited) meeting last night in Soho and was stunned by what was presented as “fair” collection and distribution of royalties from music played in UK “Indian Restaurants”.
PPL are a CMO (Collective Management Organisation) founded by record company giants EMI and Decca in 1934. Their role is subtly different to PRS or MCPS as they mainly collect royalties on behalf of record companies, who hold the rights of a recording, and sometimes also distribute to performers on these recordings ( if said performers have PPL performers accounts and know how to make a claim).
PPL collect money from cafés, offices, supermarkets, and other businesses who either play recorded music in public or have the facility to do so. They also cover UK TV/Radio channel streaming and catch up such as BBC iplayer (but not youtube).
PPL have devised special regulations for all “Indian Restaurant” owners in the UK. These are charged large sums annually (on top of Performing Rights Society charges) to be able to play music in their restaurants. The fee is not set, but is estimated by PPL by counting the number of chairs, tables etc. and looking at the layout of the business premises.
Then PPL have devised their own system to re-distribute this annual fee “fairly” as royalties. For example they distribute a percentage of the royalties to record companies on the BBC Asian Network playlist, stipulating that this playlist contains the same music recordings that are played in UK "Indian Restaurants".
Further to this PPL recently “found out” that “Indian Restaurants” also play pop music, so another portion of the royalties goes to record companies who feature in the UK Music Chart in order to “make things fair”.
The speaker from PPL did not mention if the “Indian Restaurant” rules also covered Pakistani Restaurants, Bengali Restaurants etc., and what happened to restaurant owners who refused to pay this annual fee.
Any comments around the distribution of royalties and world music are appreciated. I mainly wanted to share how the UK music business operates. Thanks for reading!
I think the Music Business needs to change, enough of the sexism, racism, ageism and obsession with objectifying women.
Well I think it's getting a bit late now to give you the other review of Creatively Anti-Perfect so I'll do that another time.
In the meantime here is a link to my little "Ode to Miss Iron Pants" which starts with a bit of Indian influenced music from me: